Last week I did another interview for the Create Whimsy website. They asked me to talk about my new book, coming out next month, and so I did that.
For those of you who might be interested in the backstory on that book here's the link.
Last week I did another interview for the Create Whimsy website. They asked me to talk about my new book, coming out next month, and so I did that.
For those of you who might be interested in the backstory on that book here's the link.
When Stylearc patterns first hit the scene I just about lost my mind. Up till then I had relied, with increasingly sporadic results, on the Big 4, most often Vogue.
At that time it was becoming obvious to me that the fashion universe Vogue was inhabiting was its own space, with things that they had decided were fashionable, but outside their world weren't.
Equally, and for concern to me as a sewist who really loves construction cleverness, was that the drafting at Vogue no longer seemed particularly good, and the instructions were pretty archaic.
In that environment, and from that perspective, Stylearc was just what I was looking for -RTW sizing, current styles and in some cases interesting construction techniques, although only cryptically explained.
And the pants fit.
Fit right out of the envelope and without any alterations necessary. Who could believe that such a thing was possible?
So I bought Stylearc patterns a lot.
Many of the early ones I collected in that period were even hand-drawn on nice tracing paper with hand-lettering. Probably going to be some sort of collector's items one day, but at the time patterns like this made me feel very strongly a personal connection to the folks who drafted them.
However over time styles changed. I found more and more of Stylearc's offerings were sort of shapeless. Loose fit, particularly around my scrawny shoulders, has never looked that good on me. For the same reason I never felt I could wear anything from the Sewing Workshop - those patterns always made me feel like a flag pole draped in a flag.
But then the next change was probably in me.
Maybe Covid sealed the deal but just being comfortable became a very large priority. Some of the new Stylearcs started to look pretty good to me.
So I jumped back in and it has been going very well.
The first thing I made were some Kew pants for one of my sisters. She has a hard time getting pants for her small waist, wider hips so I decided to make her some. We used a blue linen.
First here is the pattern:
And here they are on my sister, in a video she texted me, with a note to ignore her hair. She has been a long lockdown in Ontario and couldn't get a hair appointment until next month.
She's pretty happy with these, and so am I so the next pair will be for me!
I have had to let the news of David's passing sit for a bit before I could write about him.
David was a good friend of mine. We knew a lot about each other and I could tell many stories. But it seems to me that so much of that is personal now.
I got to know David when I first wrote for Threads and he was my editor. He was a wonderful editor, the best that magazine ever had.
One day, about 20 years ago, he called me. "I've just read the Shipping News and I am going to come and visit you."
Now of course that book was written about Newfoundland and a long way from my little house in Halifax but he came anyway. I moved one kid out of a bedroom and sent him into the bunk bed with his brother, and David stayed very happily in a boy's room and slept in a narrow single bed.
He was the kind of person who spoke to children as if they were adults. My three kids really enjoyed having him here. He just fit right into family life. We talked about everything.
Over the years David and I kept in touch and saw each other in person when we could at various sewing shows.
We used to write each other about our schemes and plans and sometimes our worries. He was the kind of friend who if he read that something was bothering you in an email would just phone you up to discuss right away rather than write back.
He had of course the most wonderful voice.
What I want to tell you about David Page Coffin is this.
He was the most genuinely authentic person I have ever met. He was exactly who he was, author, sewer, musician and painter, and there was not one thing about him that was not original and authentic.
He was the real deal, absolutely the real deal.
I also think it is important to understand that everything he did was motivated by his generosity to other people. He always had time for you. He truly respected everyone he talked to. All his writing and teaching were motivated, I feel, not simply by a love of the craft but by a love for people. There is a big difference there.
DPC wanted to share useful things he figured out in case someone found it helpful. His work was entirely original and self-discovered, accurate and true, and he wanted to share it.
Over the last few days I have re-read some of our emails. The last one I sent, at the end of February, was never answered.
I am just so sad. I have lost someone I really understood and someone who really understood me.
You just can't replace a friend like that.
Hi folks.
Yes I know this space has been quiet but I am getting back in the groove.
The last month or so has been very busy. I am back teaching two online courses for the university this summer, and after having been away from it for a while now, that has meant re building the courses.
I have also been doing the proofs for my next book, Stressfree sewing solutions, due out in August. That book was my pandemic project.
I have also just released a second video in my knits series, this one on more advanced techniques, including an easy way to do a foolproof polo knit type placket that I worked up lately. I am pretty pleased with how easy this technique is. I will be interested in some feedback on it.
And of course I have been sewing.
I made a couple of skirts for my sister who has major cabin fever in Ontario, three pairs of maternity pants and two dresses for my niece, sweatshirts for my son-in-law, and a few things for myself.
I did a guest post on the Fabricville blog on sewing with bamboo, and you can read that here.
Here, randomly, are some pictures of what I made for myself this last month:
A golf shirt made with my new method and a skort from Jalie
This last week my oldest son, the one who lives with his family in Berkeley, had a birthday.
I really wanted to make him something special. In my mind it became really important to send something in the mail that came from the house he grew up in, a house that remembers him.
He had mentioned once he liked summer pyjamas. So I made him some from a vintage men's pattern, out of seersucker with piping. It seemed to me to be very California dad of a certain era, and being a dad is my son's very best thing. I also wanted to make these using only vintage techniques. My serger was not used in this project. All seams are either French seams or bound. I also bound the back of the neck and around the fly pieces on the inside. I was real careful with this project.
I haven't seen Nat or his family in over a year. Last March I was just about to go and spend a few days with my granddaughter while her parents went away. That trip got cancelled at the last minute, theirs and mine. That's bothered me all year.
I don't have the words to describe how much I miss this guy. That's my own baby I can't get to.
But I can still sew something for him. And because he is my son, and grew up with all this sewing going on around, he knew exactly what pictures to take. When he emailed me a thank you he sent detail shots of the parts that were the most work.
He'd knows.
That's my kid.