I remember two things about that class.
First, one assignment I had was to make a men's 17th century frock coat from a pattern derived from a draft of museum coat - original measurements of course and methods of construction. It took quite a bit of work and I was so disappointed when it was finished to find it completely unwearable - you couldn't move in it at all.
My instructor explained that in those days it was a sign of a gentleman to wear clothes that made it impossible to move, lift your arms even, as this implied you were capable of doing manual labour, or of even carrying your own books.
The second thing I remember was having it explained how important lighting was in pictures, or on the stage, and that only silk really came alive and showed a colour in either situation. I remember the prof telling us of a production that made evening dresses out of lining polyester, which looked the right colour and was shiny, and how faded and unsubstantial the dresses looked under the lights.
When I made the four flower girl dresses I used silk satin, at a good price from Mood much to my surprise, and when I saw the pictures I was glad I did.
Here are some shots:
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The bride and her relatives with the two flower girls from her side. I love this picture because the little girls are so cute and because you can really see the effect of the fabric here. |
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My beautiful daughter-in-law and my son. I like this one because they really look like themselves. |
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My three children, the groom, Nat, and Ben and Katrina. My life's work and they all turned out, pretty happy about that. |