Search

Sewing with less stress Front

Sewing with less stress Front
My newest sewing book

Sewing with less stress back cover

Sewing with less stress back cover
What my new book is about

Clothesmaking mavens

Clothesmaking mavens
Listen to me on the clothes making mavens podcasts

About me

My photo
I am a mother, a grandmother, and a teacher. But whatever happens in my life, I keep sewing. I have worked as a political communicator and now as a teacher in my formal life. I have also written extensively on sewing. I have been a frequent contributor and contributing editor of Threads magazine and the Australian magazine Dressmaking with Stitches. My book Sew.. the garment-making book of knowledge was published in May 2018 and is available for pre-order from Amazon
SIGN UP BELOW FOR BARBARA EMODI'S MONTHLY NEWSLETTER

FOLLOW

SIGN UP TO FOLLOW BARBARA EMODI'S BLOG "SEWING ON TH EDGE"

Follow me on Instagram

Instagram
Follow on Bloglovin
Showing posts with label How to use vintage sewing machine attachments. Show all posts
Showing posts with label How to use vintage sewing machine attachments. Show all posts

Thursday, February 27, 2020

Vintage sewing machine attachments : the binder



 The Binder



A binder, sometimes called a bias tape attachment in its modern version, can be used to attach pre-folded or unfolded strips of fabric to any raw edge. I find the older versions far more effective and precise than those sold today.

Concept:

Different generations of binder are available. The oldest, and simplest, have a scroll that feeds bias strips of fabric around a raw edge of fabric and while it turns the edges of the strips under before the fabric reaches the needle.


Binder for a 70-year-old Singer Featherweight
Later versions of the binder, called multi-slot binders, also have spaces along the scroll that will accept pre-folded binding or finished tape or ribbon of many sizes to bind or cover an edge. Here is the binder used with the first and largest slot to turn under a bias fabric strips:



Some of the multi-slot binders, particularly those made by Singer for slant needle machines, also have posts to help the binding feed into the attachment. Honestly aren't these beautiful pieces of engineering? These are my favourite of the binders because they are almost hands free.




Tricks for using it

If you are getting used to a binder it is probably easier to practice first with purchased pre-folded bias binding which has been stiffened. This just makes it so much easier to feed through the unit without a lot of attention. You can of course replicate this by spray starching your own custom made binding and pressing under a fold along each long edge. Once comfortable with how the attachment works you can make your own custom binding with the help of a bias tape maker.

At the machine it is important to adjust the binder so the needle will fall close to the edge to be bound. This is done by a screw in the older models, or in the slant machine post binder below, by pushing on a thumb lever to the left of the needle opening in the foot.



As with most attachments holding the binding up slightly, rather than flat to the bed of the machine, is also helpful.

The binder takes a bit of practice but is worth every minute of that. Early eras sewists used these attachments continually. Think of all those vintage patterns we see like aprons, now in the original or in replicate, with miles of bias bound edges. We copy the garment but we haven't imported the time saving tools that were used to make them. I sometimes think my grandmother would be amused see us laboriously stitching on bias tape, pressing, turning it under, and topstitching. Busy women with households to run didn't have time for that, not with a binder handy.

Note all binders can be used to make ties too. Simply feed in the folded tape and start stitching:





Sunday, February 23, 2020

Vintage sewing machine attachment project: the adjustable hemmer

 Adjustable hemmer:



Concept:  Although the adjustable hemmer looks very complex it is actually quite simple. There are two parts- on the front, a hem depth measuring scale and on the back, a hem folder-underer  (hope you can follow the technical terminology). Once set up, the adjustable hemmer will turn under the raw edge of the hem allowance and situate the needle to stitch an exquisitely tiny and precise distance from that edge, while at the same time it evenly turns down the larger hem allowance – all without pre-pressing or pinning.




Uses:

The adjustable hemmer can be used to machine stitch down hems of a variety of widths without the need to press or pin first.

How it works:
The adjustable hemmer can be used with the measuring ruler engaged to fold under and stitch hems from 1/8” to 1” .





With the measuring ruler moved to the left and front, possible when the screw that attaches it is loosened, the adjustable hemmer can also be used to stitch down much wider hems, although the hem allowance will need to be turned under and pressed. The hemmer will then only turn under and stitch the raw edge of the hem allowance. Below the measuring gauge, which controls hem depth, has been moved out of the way so only the hem edge will be folded.






Tricks for using it:

Understanding how the numbers on the measuring scale work can be a bit tricky. The large screw clearly seen on the gauge can be loosened to move, and then set metal pointer to any number on the scale. Each of these numbers corresponds to a finished hem depth:

Pointer set at:                                   Creates a hem of this depth (inches)

1                                                                                                                           1/8
2                                                                                                                           1/4
3                                                                                                                           3/8
4                                                                                                                           1/2
5                                                                                                                           5/8
6                                                                                                                           3/4
7                                                                                                                           7/8
8                                                                                                                           1

(Source: A manual of family sewing machines. Guildford, Surrey: The Singer Company (U.K.) Ltd., 1963, p. 44)
-->

Friday, February 21, 2020

Vintage sewing machine attachment project: introduction

Thank you all for your feedback on the cover. This gives me something to work with, appreciate the time that those of you who left comments took to help me.

Now here is the introduction. I did these pictures myself by putting white paper on a shelf in the fridge and turning the inside of the fridge into a sort of light box. This was my own idea. Sewing teaches you to improvise.

So here we go. Let me know what you think!


Vintage sewing machine attachments for the modern sewist


The attachments designed for and heavily used by the home sewers from the early to mid+ 20th can still be very useful to the modern sewist.

 To understand why requires first that the sewing person of today consider one very interesting idea- that we might have lost touch with some of our best technologies. We need to think of what we may have have left by the wayside in the assumption that newer, by definition, is always to be better.

This is why I think a modern sewist could benefit from learning more about vintage sewing machine attachments:

·      Vintage attachments work so well. No human is capable of stitching a hem with the stitches consistently 1/16” from the finished edge with the accuracy and ease of an adjustable hemmer. And certainly not capable of doing it simultaneously with folding up the hem too to an exact width – all without pinning or basting.
·      Vintage attachments are made so well. First, all of these vintage attachments are made of metal, carefully. Secondly they tend to all be incredibly ingeniously engineered – to manipulate the fabric in intricate ways under the constant of a straight stitch (or in the case of mid ‘60s buttonholers, also some zig zag stitches. So often purely mechanical methods of manipulating fabric are simply more consistent and precise. Metal grooves, the cam, or template leave no room for movement. In my view fancy zig zag stitch made with a drop-in cam will always be more accurate than one driven by electronics, which doesn’t have the same direct steady control over the needle.
·      Vintage attachments are inexpensive. Compared to newer attachments vintage attachments are a bargain. Look on eBay and Etsy and in box of attachments sold along with older machines at yard sales.
·      Vintage attachments can be used on your modern machine. Many older attachments were designed for straight stitch machines that had a low shank. A low shank is means a presser foot bar fairly close to the throat plate, measuring about ½” from the bottom of the presser foot to the centre of the screw that attaches the foot. Many commonly available machines, and certainly many older ones, have a low shank and can accommodate these feet directly. 

However most industrials and upper end modern machines have a high shank – the bottom to the foot to mid screw measurement is about 1”. If you have a low shank machine you can just use the vintage attachments. To fit the old attachment to a modern high machine all you have to do is purchase a shank adapter, in this case basically a shank extender, that will allow you to fit the older low shank attachment to a modern machine. Take your time and search out the shank adapter for your model – I have had great success with online sellers like www.sewingmachinesplus.com

There are even adapters for Bernina’s, which have their own breed of all-in-one feet, as opposed to the snap on time. Using a Bernina adapter I have been able to use all my low shank vintage feet on my Bernina. Note there are two exceptions to this rule. Really old machines, like treadles or rotary hooks like the classic Whites, use feet that attach with a toe clamp.

These feet will fit only those machines and can not to be adapted to any others.

This is what toe clamp attachments look like:



Finally there is another shank style to consider these are the slant shanks used in a series of machines Singer produced in large quantities in their factories in the 1960’s. Slant needle machines were designed for the larger work area they were able to provide in front of the foot (a very nice feature actually) but feet with a slant shank can fit only on those machines.

Many vintage attachments were also manufactured in both low and slant shank  form – just be careful to but a specific slant foot when sewing on a slant needle machine, like the Singer Rocketeer or Touch and Sew.



·      Vintage attachments open up to the possibility of including a vintage machine your sewing arsenal. Older machines are so easy to find and so inexpensive. In many cases, since they were made of metal, a good cleaning, oiling and a new needle are all they need to get them up and running. One of my own favourites, a 1960 Singer Rocketeer, was stored in a garage and a six year old and I cleaned and oiled it to perfection. These older machines often have a superb straight stitch, either because that is all they do, or because they have a much narrower opening in the throat plate for the swing of a zig zag – both of which contribute to a more secure and reliable straight stitch. Once of course you have experienced the potential of vintage attachments you might find it handy to have an older machine set up ready to use them – many sewists do this with the buttonhole attachments.

Favourite vintage sewing machine attachments and how to use them

What follows here is not a definitive guide to all older sewing machine attachments, but a list of those that might be most useful to the modern sewist, sewing the clothes we wear today. References to other sources on the subject are included in the bibliography.

Note many of these feet work by exaggerating the natural action of the feed dogs, either by pressing the fabric into them to force pick up as in the case of the shirring foot, or to use stitch length to form tiny pleats that look like gathers or mini pleats in the ruffler.  

Others are essentially elaborate devices to hold or set up fabric so it can be stitched with greater control, accuracy and regularity than is possible by a sewist operating free hand. The edge stitcher, narrow hemmer and adjustable hemmer fall into this category.

Finally a few other attachments are template driven mechanisms in themselves that actually move the fabric with precision under the needle, enabling highly accurate stitching of complex functional and decorative embroideries like monograms, motifs and of course the legendary template buttonholes, yet to be surpassed in quality by even the most expensive modern computerized machines.

Of the feet listed here the narrow hemmer, binder and ruffle are still manufactured and sold for contemporary machines. Of these only the ruffler, and some of the narrow hem feet made now, are the same as their vintage counter parts. (Modern binders are quite less sophisticated). All the other attachments listed here exist only in their vintage form – all excellent examples of “lost technology.”

Note although some of these attachments can just be attached just like any other presser foot some of the more complex ones with a lot of movement – the ruffler, buttonholer and monogrammer as examples – need to be both screwed onto the needle bar as well as having a stabilizing fork hooked over the needle screw. I find it always easier to fit this fork over the screw first and then screw on the rest of the attachment. 

Attachments will moving parts, like the ruffler and buttoholers also benefit from the occasional oiling with only a drop of oil at any points where you see metal moving against metal. 


Thursday, February 20, 2020

Vintage sewing attachment project

As those who follow my Instagram will know we have been traveling a lot the last month. Much of it has been around Texas, right now I am in Mission/McAllen on the Mexico border.

It has all been a great opportunity to see many things first hand and to see a lot of incredible wildlife. However the sewing conditions have been variable. I have done some sample/muslin type sewing and considerable planning for when I am home in April and go back into high gear.

However I have been able to get some writing and editing done. I have been editing a bit for other folks and pulling together a project I have had in the back of my mind for a free ebook for a while.

I am not sure how many people will be interested in this but I want to share some thoughts in how-tos for vintage sewing attachments.

My idea is that every few days or so I post a section and you can give me some feedback (I always need an editor). When we have done that process I will put it together in a little booklet and see about making it available as an ebook.

What do you think?

To start with here is the idea for a cover. Obviously the Canva watermark will be removed if I decide to do something similar to this.

The introduction should be up tomorrow.

Thanks for your help!


Saturday, February 9, 2019

On hibernation and life

It is deep winter here in Nova Scotia.

Icy and cold outside. Daisy walks with boots on and a down coat.

This season, which is one of great therapeutic value in many ways (Canadians tell themselves things like this a lot), has made me think of how wise nature is. 

The smart ones fly away like the Monarch butterflies who go 20,000 miles to Mexico and back, or like the V shaped flocks we see going away every fall and coming back every spring.

But lately I have been thinking of the hibernators, the bears, skunks, bees, and bats who eat up, hole up, and snuggle up till it is reasonable to come out.

For this human hibernation has been a whole lot of sewing.

This year we put off our annual trip south to be able to spend more time with my daughter. But next week we are going to be leaving to go down to Texas to visit one son in Austin, and from there a flight to Berkeley to visit the other son, my daughter-in-law, and new granddaughter. I admit to you I am feeling anxious about leaving my daughter who has a a few new challenges lately, but she has promised to be truthful about how she is feeling when I am away. And planes have been invented right? And I really need to spend some time with my other kids.

On the way home we will be stopping in Tulsa where I will be teaching at the Vintage Sewing Adventure. I have corresponded with the organizers a lot and really like them so decided this was something I wanted to do. Plus the conference will have an association with the Sewing Machine Museum and I really want to see that a lot.

Now those of you who know me know I am not exactly a vintage styled dresser. The style thing which I love, but not compatible with my current life.

BTW anyone else watching Mrs. Maisel on Prime? 

The clothes alone are worth it. Although I have to say that it is not entirely believable. Why would Joel at any time not want to work in his dad's garment district factory? This part makes no sense. I love the shots of the bolts of fabric and the machines. He has a chance to work in the garment district in its heyday. I wish when I talk to the screen that he could hear me.

Back on topic.

So even though I am not a vintage dresser I have become recently very interested in something I am calling Heritage Sewing. To me this is the technical side of garment construction that utilizes methods and thinking that previous sewing women used.

I have been doing a lot of research on this and this is my big discovery.

There are a lot of really cool techniques that have been lost! 

It has been my big discovery that in the mass production/simplification/commercialization of all aspects of the sewing industry that some intriguing ideas have been sort of been forgotten.

I have decided to do a little work on sharing as much of that as I can.

I think this is important for these reasons:

1. So many of these methods are so effective and easy. Some of these ideas would make modern sewing better and easier. Somethings are meant to be passed down generation to generation. What happens when a few generations stop doing that?

2. Cultural responsibility. This is women's history. I am talking about housewife and home dressing maker sewing here. History is made by who kept the records. That's why so much of boring history is all about politics and men. Those were just the folks who were writing it down.

I want to acknowledge the work and creativity of those who were unrecorded - specifically women who worked alone in their homes and made wonderful things with their hands for themselves and those they loved.

I want their afternoons remembered and honoured. I want their work and thinking to be passed on in some way in this relay of life.

Does that make sense?

So I decided to go to Tulsa and teach a session on vintage sewing machine attachments as a starting place in this.

Here's why.

So many of these crazy, bizarre looking attachments do an amazing job of completely aceing some of sewing's more tricky jobs. 

A few of these attachments of their modern pseudo versions I have used, some like modern binders and narrow hemmers, but I have to tell you the vintage attachments just work so, so much better. As in hands off, relax and watch it work better. 

No struggle.

Now one of my sons and I were talking about this. He works in the tech industry in San Francisco and understands the theme of our time - that all things technical are just advancing and advancing. That this year's model is better than last years.

I get this. 

I am not a nostalgia type, good old days person of the sake of needing to just slow it all down. I am not a collector or a period dresser, that is something I respect but just not me.

But I know a good brain when I see its fruits in action. 

And I have been seeing some really smart engineering and thinking in evidence as I have watched some of these old 50-60 year old attachments (which BTW with and adapter foot will fit on and work on modern machines) manipulate fabric and place it exquisitely, effectively under the needle.

This has been a light bulb moment.

What about the concept of lost technology?

What if a better way to do some things had been developed and then forgotten?

What about that?

So this is what I am going to do.

Right now I have been making my samples up for Tulsa and putting together class notes. 

I have decided to turn these notes into a little how-to booklet that I will share after I have done the workshop.

Do you think anyone would be interested in something like that?

Tomorrow I am going to do a long post on blogging and what I am wondering about that.

In the meantime here are some shots of my vintage attachment using samples:





















More later.